The parable of the Prodigal Son Essay Example For Students

The parable of the Prodigal Son Essay Legally, the son had given up his rights for further inheritance and therefore wasnt really like a son. Morally, the sons behavior was not up to the typical family standards of the time. His behavior would still be frowned upon today. The father twice says that his son was back from the dead. This raises the question, in what ways was he dead? There are two hypothetical responses to this question. The first refers to the famine that the son was exposed to. It is possible that the father had heard about the famine and assumed that, since he hadnt heard from him in a long time, his youngest son had not survived the famine. We will write a custom essay on The parable of the Prodigal Son specifically for you for only $16.38 $13.9/page Order now The second possibility talks about where the son left to go. The parable states that the son moved to a distant country. This country was most likely a Gentile country because many Jews lived in Gentile areas. In those days, it was not uncommon for Jews to perform funerals for their children that either moved to Gentile communities or that married Gentiles. It is possible that this is what he meant, however it is highly unlikely that he would disown his child and then open his arms to him as he did. Up until the conflict with the older son, the parable has many parallels to the other two stories in the trilogy. The older son is brought into the picture in order to introduce a further lesson. It has been said that the parable is more like two parables tied together the phrase, was dead and is alive again; he was lost and is found. In some ways, both sons on the parable are lost, one who left home and one still at home. The older son expresses anger towards his long lost brother, in contrast to the warm love the father expends. The son complains that he hasnt even gotten a young goat, yet they killed the fatted calf for the other son. This complaint hints at long time resentment. The son shows disrespect towards his father, as well as his brother. In this way, he broke the fourth commandment and was just as sinful as his hated brother. He makes unfounded accusations that his brother had wasted the money on prostitutes when nowhere in the parable is there any evidence that he had. The father willingly forgives his son for this just as easily as he forgave his youngest son. He tells him that everything he has is also his sons, hinting that all of the inheritance would go to the eldest son. This hinting cannot be solidified because, once again, the details about the property are not specified because it is not relevant in Jesus lesson. The only important thing is that the father forgave both of his sons. Each of the characters in this parable can be compared to another person or group of people. The characters are just a way of teaching a lesson to each of the people they represent. In this parable, the father symbolizes God. It shows that God will rejoice and honor any and every sinner that repents. It also emphasizes that God doesnt need to wait for a full apology. He recognizes the sentiment and considers that enough to forgive. Jesus also uses the parable to address those who criticized him for being around sinners by chiding them for not rejoicing that the sinners were interested in what he had to teach. The parable does not necessarily say we should seek out those sinners, but that we should be glad and open when they come to us to be taught. The parable of the Prodigal Son was just one of many parables that Jesus told to get his message out to the people. The themes from this particular parable are timeless. No matter what, God will always forgive us when we show only the slightest repentance and we should always forgive those who show repentance towards us. .ubd7b46cbcb5128b859a03aab2c405560 , .ubd7b46cbcb5128b859a03aab2c405560 .postImageUrl , .ubd7b46cbcb5128b859a03aab2c405560 .centered-text-area { min-height: 80px; position: relative; } .ubd7b46cbcb5128b859a03aab2c405560 , .ubd7b46cbcb5128b859a03aab2c405560:hover , .ubd7b46cbcb5128b859a03aab2c405560:visited , .ubd7b46cbcb5128b859a03aab2c405560:active { border:0!important; } .ubd7b46cbcb5128b859a03aab2c405560 .clearfix:after { content: ""; display: table; clear: both; } .ubd7b46cbcb5128b859a03aab2c405560 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ubd7b46cbcb5128b859a03aab2c405560:active , .ubd7b46cbcb5128b859a03aab2c405560:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ubd7b46cbcb5128b859a03aab2c405560 .centered-text-area { width: 100%; position: relative ; } .ubd7b46cbcb5128b859a03aab2c405560 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ubd7b46cbcb5128b859a03aab2c405560 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ubd7b46cbcb5128b859a03aab2c405560 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ubd7b46cbcb5128b859a03aab2c405560:hover .ctaButton { background-color: #34495E!important; } .ubd7b46cbcb5128b859a03aab2c405560 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ubd7b46cbcb5128b859a03aab2c405560 .ubd7b46cbcb5128b859a03aab2c405560-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ubd7b46cbcb5128b859a03aab2c405560:after { content: ""; display: block; clear: both; } READ: Poetry Analysis Billionaire EssayBibliography Author Unknown. Parable of the Lost Son. 09 December 2004. The Boston Christian Bible Study Resources. 30 November 2005. http://www. bcbsr. com/survey/pb134. html Keating, Thomas. The Parable of the Prodigal Son. 2005. Contemplative Outreach Ltd. 30 November 2005. http://centeringprayer. com/kingdom/kingdom03. htm. Morrison, Michael. Parable of the Lost Son. 1992. Worldwide Church of God. 30 November 2005. http://www. wcg. org/lit/bible/gospels/lostson. htm. Prodigal Son Wikipedia. 4 November 2005. http://en.wikipedia.org/Prodigal_Son . Show preview only The above

Lycopene Chemistry and How It Protects Against Cancer

Lycopene Chemistry and How It Protects Against Cancer Lycopene (see chemical structure), a carotenoid in the same family as beta-carotene, is what gives tomatoes, pink grapefruit, apricots, red oranges, watermelon, rosehips, and guava their red color. Lycopene is not merely a pigment. It is a powerful antioxidant that has been shown to neutralize free radicals, especially those derived from oxygen, thereby conferring protection against prostate cancer, breast cancer, atherosclerosis, and associated coronary artery disease. It reduces LDL (low-density lipoprotein) oxidation and helps reduce cholesterol levels in the blood. In addition, preliminary research suggests lycopene may reduce the risk of macular degenerative disease, serum lipid oxidation, and cancers of the lung, bladder, cervix, and skin. The chemical properties of lycopene responsible for these protective actions are well-documented. Lycopene is a phytochemical, synthesized by plants and microorganisms but not by animals. It is an acyclic isomer of beta-carotene. This highly unsaturated hydrocarbon contains 11 conjugated and 2 unconjugated double bonds, making it longer than any other carotenoid. As a polyene, it undergoes cis-trans isomerization induced by light, thermal energy, and chemical reactions. Lycopene obtained from plants tends to exist in an all-trans configuration, the most thermodynamically stable form. Humans cannot produce lycopene and must ingest fruits, absorb the lycopene, and process it for use in the body. In human plasma, lycopene is present as an isomeric mixture, with 50% as cis isomers. Although best known as an antioxidant, both oxidative and non-oxidative mechanisms are involved in lycopenes bioprotective activity. The nutraceutical activities of carotenoids such as beta-carotene are related to their ability to form vitamin A within the body. Since lycopene lacks a beta-ionone ring structure, it cannot form vitamin A and its biological effects in humans have been attributed to mechanisms other than vitamin A. Lycopenes configuration enables it to inactivate free radicals. Because free radicals are electrochemically imbalanced molecules, they are highly aggressive, ready to react with cell components and cause permanent damage. Oxygen-derived free radicals are the most reactive species. These toxic chemicals are formed naturally as by-products during oxidative cellular metabolism. As an antioxidant, lycopene has a singlet-oxygen-quenching ability twice as high as that of beta-carotene (vitamin A relative) and ten times higher than that of alpha-tocopherol (vitamin E relative). One non-oxidative activity is regulation of gap-junction communication between cells. Lycopene participates in a host of chemical reactions hypothesized to prevent carcinogenesis and atherogenesis by protecting critical cellular biomolecules, including lipids, proteins, and DNA. Lycopene is the most predominant carotenoid in human plasma, present naturally in greater amounts than beta-carotene and other dietary carotenoids. This perhaps indicates its greater biological significance in the human defense system. Its level is affected by several biological and lifestyle factors. Because of its lipophilic nature, lycopene concentrates in low-density and very-low-density lipoprotein fractions of the serum. Lycopene is also found to concentrate in the adrenal, liver, testes, and prostate. However, unlike other carotenoids, lycopene levels in serum or tissues do not correlate well with overall intake of fruits and vegetables. Research shows that lycopene can be absorbed more efficiently by the body after it has been processed into juice, sauce, paste, or ketchup. In fresh fruit, lycopene is enclosed in the fruit tissue. Therefore, only a portion of the lycopene that is present in fresh fruit is absorbed. Processing fruit makes the lycopene more bioavailable by increasing the surface area available for digestion. More significantly, the chemical form of lycopene is altered by the temperature changes involved in processing to make it more easily absorbed by the body. Also, because lycopene is fat-soluble (as are vitamins, A, D, E, and beta-carotene), absorption into tissues is improved when oil is added to the diet. Although lycopene is available in supplement form, it is likely there is a synergistic effect when it is obtained from the whole fruit instead, where other components of the fruit enhance lycopenes effectiveness.

TPM components, TPM keys Research Paper Example | Topics and Well Written Essays - 1000 words

TPM components, TPM keys - Research Paper Example Attestation on the other hand is a verification process of the computer’s trustworthiness and determining if it has been breached or not. Other devices such as network equipment and mobile phones can be computed using TPMs (Trusted Computing Group, 2012). In summary, the TPM has four main functions which include platform monitoring, secure storage, encryption operations and authentication services (Hewitt, 2006). Operations on sensitive data can only take place in special locations, called shielded locations, which must be incorporated in the TPM. It should be impossible for user programs to access these locations. Protected capabilities are the set of commands which one can use to access the shielded locations. This set of commands protect the shielded locations and report integrity measurements at the same time. The TPM has several major components which are illustrated in the following diagram. TPM COMPONENTS The SecureI/O component It is a control component that manages th e TPM’s information flow to the outside and also controls and routes internal signals (Hewitt, p.3). The I/O encodes and decodes the information passing over the internal and external buses (Gunupudi, p.11). The Cryptographic Co-Processor This is a major subdivision of the TPM containing various cryptographic engines. The RSA key generator, RSA encryption/decryption and SHA-1 engine must be included in its functionality (Microsoft 2012). Other asymmetric algorithms such as DSA or elliptic curve, are allowed by the specification. The strength of 2048 bit RSA key should be the threshold of all storage and identity keys as this is enough to offer sufficient protection from malicious access. Digital signatures and encryptions are made using the RSA algorithm. If RSA encryption is not used when a signing is done within the TPM, it stands the risk of being rejected by other TPM devices. The engine must support key sizes ranging from 512,768, 1024 and 2048 bits. The minimum recommen ded size is 2048 bits. The specified public exponent of RSA is (2raised to 16 +1). The SHA-1 engine requires 160-bit keys and provides the primary hash algorithm used by the TPM. The implementations of the HMAC engine are dictated in RFC 2104. It involves turning a keyless hash function in to a keyed hash by incorporating a cryptographic key. This will allow the chip to detect proof of knowledge of Auth Data and also ensure that authorized incoming requests have not been tampered with (Hewitt, p.4). The TPM also uses the symmetric encryption algorithm internally because they cannot have user-accessible interfaces. They are used in encrypting internal data that was fed in to the TPM from an outside source and encrypting authentication exchanges. Other algorithms such as AES are allowed by the specification depending on the sufficiency preference of the implementer (Hewitt, p.5). The Key Generator It’s a protected capability function that manages the generation of keys and nonc e (Gunupudi, p.12). The keys generated are used for encryption.The specification of the key generator is not strict. It however emphasizes that data that has existed in a non-protected location as a key should not be used. The specification also requires that all nonces be from the TPM’s Random Number Generator (Hewitt, p.5). The Random Number Generator It’s the source of entropy in the TPM (Gunupudi, p.12). It consists of a post-processor with a hashing

Organizational Behavior and HR in Sony Corporation Assignment

Organizational Behavior and HR in Sony Corporation - Assignment Example Kalyanaram and Gurumurthy (2008) offer that businesses that are the first to market in certain industries have a significant competitive advantage over competitors. Theory indicates that when buyers perceive a satisfactory product or achievement of effective customer service, risk averse customers often develop attachments to the pioneering product or brand; therefore they are unwilling to switch to new late movers’ products. Oftentimes, these buyers assess the late entrant against the first mover with adverse assessments in favour of the pioneer (Kalyanaram and Gurumurthy 2008). Sony was not able to launch innovative products (such as the LCD television) before competition, therefore the market had established brands with positive consumer sentiment about the brands that is difficult to undo for a late mover. The presence of competitive product offerings and new innovative products is what served as the first catalyst for change at the firm that required restructuring to meet and adapt to market needs more rapidly. Slocum and Lei (2005) reinforce the dangers of increased globalisation that make change a constant phenomenon, especially for businesses that operate in multiple business divisions and product categories, such as the conglomerate Sony. Industries are defined in theory as â€Å"ecosystems through which businesses compete for customers and are significantly inter-dependent based on changes in local or international markets† (Slocum and Lei 2005, p.35). Globalisation opens new markets for new competitive entrants into a market, breaking down the political barriers or improving supply networks that facilitate more rapid and cost-effective production with competition. Sony was witnessing many new market entrants offering unique products that were gaining attention and recognition from important revenue-building markets, essentially shortening the product life cycle of many of its previously-profitable products such as the PlayStation gaming console and older cathode ray tube television sets. Sony was now facing competition that sustained the resources and talents needed to produce innovative products. This challenge of competitive innovations was built through increased globalisation, thus Sony could no longer sustain the growth of existing Sony products, forcing the business to be more adaptable and flexible in providing similar competitive products. Consumer markets were favouring competitive products which continued to erode market share from Sony, making change driven by competitive product introductions forcing the need for continuous change practices to be developed in order to remain relevant in its technology markets. As market circumstances continue to evolve, contingency theory states that the organisation’s internal structure must adapt in order to remain competitively relevant (Buchanan and Huczynski 2010). It was not until the new CEO Howard Stringer joined Sony that the business became aware that continuous change in the external market was causing a need for rapid internal restructuring in order to adapt properly to market conditions and more prevalent competitive practices in manufacturing and marketing. Sony relied heavily on its electronics division to generate profitability, therefore the business was forced to centralise decision-making so that the electronics division maintained authority over key areas of business. The business could no longer respond quickly enough to meet competitive actions in the market,

Why my family is important Essay Example for Free

Why my family is important Essay Together with family, household is considered one of the basic groups of social aggregation. Information on household numbers and composition aids in identifying groups within the population such as Indigenous households or the number of people living alone. For the Commonwealth-State Housing Agreement (CSHA) data collections, the number of tenancy agreements is a practical proxy for calculating the number of households receiving housing assistance. The persons in the group may pool their incomes and have a common budget to a greater or lesser extent: they may be related or unrelated persons, or a combination of both. Only usual residents of the household are included as members of the household. Visitors to a household are, by definition, excluded from the household. Blood is always thicker than water. I learnt that phrase when I was much younger, but I never appreciated it until now. My brother was the only one who stood by me when I was being bullied in school at one time. He saw me cornered by a boy whom he knew to be a school bully and he did not wait a second more before stepping in to prevent me from being beaten by that boy. Once I quarrelled with my best friend, who was popular and everyone else was against me for quarrelling with him. My parents consoled me and encouraged me to be happier. They gave me the sound advice of believing in myself. I cannot thank them enough for the support that they have given me so far. My parents are also responsible for my love of learning in life. They make me feel intelligent and well-loved. I know that I am someone important to them. My family will always be there for me while friends are transient. After so many experiences with friends, I realise that I can always choose my friends. It also takes a long time to find a sincere and true friend. With family, it is different because my family cares for me no matter what happens. My brother and I may have our differences but we always manage to make matters work somehow.

Sikh struggles in India and U.S. Essay -- Culture Cultural Papers

Sikh struggles in India and U.S. John from the Sikh religion kills Peter, a government official. David, another government official, kills Paul for being a Sikh. John is convicted but David is not. What about when an Indian comes to the U.S.? Indians have changed their cultural traditions so that their family can be accepted and their kids are not made fun of for being "different." These fictional names and situation has occurred to the Sikh religion. It has gone through political issues in India and cultural problems in the U.S. Sikhism, a religion that originated in India, and especially in the state of Punjab which currently is 60% Sikhs and 36% Hindus. Two centuries have past and Sikhism has become the third major religion of India according to Edward A. Gargan in "Though Sikh Rebellion Is Quelled, India's Punjab State Still Seethes" (A8). According to Sikh Missionary Center in Sikh Religion, Guru Nanak founded the Sikh religion, which consists of ten Gurus (1469-1708). The last one proclaimed the Guru Granth Sahib is the Holy Scripture. The Sikh Missionary Center also describes the characteristics of this religion as the rebirth to a less important position is a punishment, to live is a blessing and salvation is achieved by meditating on Nam" (5). Guru Nanak or Baba Nanak can be considered the Jesus of the Sikh religion. According to Donald Lopez S. Jr. in Religious of India in Practice, Nanak was born in Punjab in 1469 and died in 1538 or 1539 (449). He was raised Hindu in a Muslim area of India and believed in a religion from within, not like Hindus and Muslim that believe in liberation: renouncing external features of the religion (Lopez 449). One tale about Nanak involves a time when he encountered some peopl... ... Edward A. "Though Sikh Rebellion Is Quelled, India’s Punjab State Still Seethes." New York Times 26 Oct. 1993: A1, A8. Goodstein, Laurie. "At camps, young U.S. Sikhs cling to heritage." New York Times 18 Jul. 1998: A1, A7. Juergensmeyer, Mark and Barrier. G. Sikh Studies. Berkeley: Graduate Theological Union, 1979. Lopez, Donald S. Jr.. Religions of India in Practice. Princeton: Princeton UP, 1995. Mansukhani, Late S. Gobind Singh. "Introduction to Sikhism." New Delhi: Hemkunt, 1977. Online. (12 Mar. 2000). <http://photon.bu.edu/~rajwi/sikhism/mansukh7.html#q125>. Perez-Pena, Richard. "Sink Temple Helps To Bind A Community In Mourning." New York Times 27 Nov. 1994: 53. Sikh Missionary Center. Sikh Religion. Arbor: Braum-Brumfield, 1990. Singh, Teja. Sikhism Its Ideals and Institutions. Bomby Calcutta Madias New Delhi :Orient Longmans, 1951.

Classical Sculpture of the Greeks: a Journal Review.

Article Review; â€Å"What is ‘Classical' Sculpture† by Walter R. Agard Jakob Mattern HUM 2220, prof. Warner Ph. D. Th, 6:00pm-8:45pm Word Count: 1102 The word ‘classic'; used to describe styles of music, painting, sculpture, architecture, and even manufactured consumer goods. If ever there was a period in art or manufacturing that stands out with even balance, subtle dignity, and general excellence, it will most likely be described as classical, which after all, is no easy feat, considering that anything to bear the â€Å"classical† name is decidedly, in some way or another, â€Å"The best of the best. According to Walter R. Agard however, the word has lost some of it's gusto. He states that it is so overused that it no longer describes whether or not something is in-fact excellent, but rather, if a piece fits into a time frame and location that suggests that it most likely is. Just as all cars produced between 1900 and 1972 in America are not necessarily classics, not every piece of art created in the broad history of Greeks should be considered a true classic.Rather, Agard places forth his guidelines and examples of what should classify ancient Greek art, sculpture in particular, as the best of it's time. The details of Agard's argument rest upon the structured guidelines he lays out in the beginning of his article; that to be classical, a Greek sculpture must have: The initial concept of a healthy human form. The synthesis of naturalism and clearly defined, relatively simple design. The amplification of essential planes.Refinement of detail. He also suggests that classical style sculpture took prominence between the years 500 BCE and 420 BCE, thus dismissing some of the earlier geometric style sculpture, as well as the later more expressionistic and complicated Hellenistic sculpture. He states that while some later sculptures may be more magnificent to behold, they are not embodying that which makes something a classic, and that t hey are not fulfilling the nature of the aterials or the monumental purpose of sculpture. Marble is not a soft substance, and thus, the shapes created out of it's dense composure must follow suit, according to Agard. While the presence of fine details are very necessary, he states that the overall action of the piece must be graceful, direct, noble, and strong; the sculpture must follow the ancient Greek adage, â€Å"Know thy self† to be a classic, it must appear just as powerful and eternal as the marble itself.This quality is found in the many sculptures that he analyzes in his article; the weight bearing Hermes, the tower-like Apollo, and the tensioned Heracles all display a living strength that compliment the nature of the marble. Agard also places a great deal of importance on the healthy human form, and the presence of subtle naturalism expressed through fine details. In every piece defined classic by Agard, we find a being that, while possessing a basic and strong geom etric base, is also defined by many smaller details that synthesize simple design with an idealistic human form.The curls in Hermes' beard and hair, the subtle veins and ligaments of the Charioteer's hands and feet, the calm and confident gaze of Apollo, and the bulging muscular details found on the statues of the bow wielding Heracles and the lightning lobbing Zeus all add a life-like element to the otherwise cold geometric shapes, and help to portray each character as a healthy and idealistic human being in both mind and body.For his closing statement, Agard mentions an encounter he once had with a tourist who was frustrated with how â€Å"sure of themselves† the classic Greek statues seem to be. He then refutes that they have the right to do so, simply because of the rich value and dignity confined in their strong and noble bodies, and that it was this spirit that make these statues honest and true classics of the ancient world. As a whole, I do agree with Agard in his vie wpoints and conclusions of what a true classic should consist of.Referring once more to automobiles, it is my view that for a car to be classic it must combine simple design with beautiful details while still fulfilling the function for which it was designed with full effect. With respect to Agard's definitions, the formula of classic sculpture should not be far from such ideals. I thought that Agard's affinity towards the nobility and strength of the designs was well founded, because although a statue is undoubtedly a work of art, it is also a permanent public speaker of a city's people.These strong and idealistic statues may very well have served as an ego-booster for the ancient Greeks; their solid forms and endless wisdom meant to personify the people dwelling in the polis itself. If anything however, it was this ego that catapulted these ancient people to such great heights in terms of sophistication and achievement, so while some later sculptures may have captured more emotion or better expressed the human condition, it was the dignified, strong, and direct sculptures from 500-420 BCE that best embodied the golden age of Greece.There were a few points with which I disagree however. The selection of the Statue of Hermes, firstly. Although it is a good combination of geometric driven balance and fine detail, I felt that over all it was simply not naturalistic enough to be considered a perfect synthesis of the human form and simple design. It is an impressive statue none-the-less, but it seemed a bit rudimentary compared with the other examples, a bit too two dimensional.Another idea with which I don't completely agree is the classification of two dimensional friezes with linear backdrops as the only true classical form of the frieze. Once again, It seemed to me that a frieze with a more shallow appearance did not coincide with some of the other mentioned sculptures bursting with depth and life. While the drapery of the frieze depicting Heracles and Athena was beyond impressive, the naturalism of the characters themselves did not seem to reach the same heights as some of the other pieces.In any matter however, I believe that Agard compiled an excellent definition of what a classic statue should be defined as, what it should personify, and what it's function should be, compared with the common ideal that nearly every statue from ancient Greece should be considered classical. His analysis of each sculpture was extremely thorough, and as a whole, his article gave some insight into what exactly these ancient artisans may have been thinking of when they shaped these masterpieces. Bibliography Agard, Walter R. â€Å"What Is â€Å"Classical† Sculpture? † The Classic Journal, Vol. 49, No. 8 (May, 1954): pp. 341-349. Print.