Should You Use an Immigration Consultant

Immigration consultants provide immigration assistance. This can include services such as assistance with filing applications and petition, helping to gather required documentation or translation. An Immigration Consultant Is Not the Same as an Immigration Attorney There is no certification process in the United States to become an immigration consultant, which means there is no standard that U.S. consultants must adhere to. Immigration consultants may have little experience with the immigration system or be experts. They may have a high degree of education (which may or may not include some legal training) or very little education. However, an immigration consultant is not the same as an immigration attorney or accredited representative. The big difference between immigration consultants and immigration attorneys/accredited representatives is that consultants are not allowed to give legal assistance. For example, they may not tell you how you should answer immigration interview questions or what application or petition to apply for. They also cannot represent you in immigration court. Notarios Notarios in the U.S. falsely claim the qualifications to provide legal immigration assistance. Notario is the Spanish-language term for a notary in Latin America. Notary publics in the United States do not have the same legal qualifications as notarios in Latin America. Some states have established laws prohibiting notaries from advertising as a notario publico. Many states have laws regulating immigration consultants and all states prohibit immigration consultants or notarios from providing legal advice or legal representation. The American Bar Association provides a list of relevant laws by state. USCIS provides an overview of the services an immigration consultant, notary public or notario may or may not provide. What an Immigration Consultant CANNOT Do represent you before USCIS (only immigration attorneys and accredited representatives may represent you)give you legal advice on what immigration benefit you may apply forgive you advice on what to say in an immigration interviewclaim to be qualified in legal matters or in immigration and naturalization procedurecharge considerable fees - consultants may only charge nominal (inexpensive) fees as regulated by state law What an Immigration Consultant CAN Do help you by filling in the blanks on pre-printed USCIS forms with information that you providetranslate documents The Big Question So should you use an immigration consultant? The first question you should ask yourself is, do you really need one? If you need help filling in the forms or need a translation, then you should consider a consultant. If youre not sure if youre eligible for a particular visa (for example, perhaps you have a previous denial or criminal history that may affect your case) or need any other legal advice, an immigration consultant will not be able to help you. You will need the assistance of a qualified immigration attorney or accredited representative. While there have been many cases of immigration consultants providing services they are not qualified to offer, there are also many legitimate immigration consultants who provide valuable services; you just need to be a savvy consumer when shopping for an immigration consultant. Here are some things to remember from USCIS: If it sounds too good to be true or if someone claims to have a special relationship with USCIS, steer clear. No one can guarantee results or faster processing.Ask about qualifications. If they claim to be qualified to provide legal assistance, ask to see copies of their BIA accreditation letter or bar certificate.Get a written contract in English and if applicable, in your own language as well.Avoid paying cash and get a receipt.Never sign a blank form or application. Make sure you understand what you are signing. Defrauded? If you want to file a complaint against a notario or immigration consultant, the American Immigration Lawyers Association provides a state-by-state guide on how and where to file complaints.

Emily Dickinsons My Life Had Stood a Loaded Gun Essay

The primary literary strategy in Emily Dickinson’s â€Å"My Life Had Stood – a Loaded Gun†, is a metaphor of a gun and its master which is used to represent a wife and her husband. This metaphor is used to illustrate an unbalanced relationship where the wife is objectified and lacks agency. The wife reduced to an object which is at the disposal of her hunter/master/husband. The gun narrates the poem and it takes pleasure in expressing its power to kill. The poem presents the challenge of identifying who the speaker is and who the gun metaphorically represents (Forman). To help solve this riddle, Angela Estes asks, â€Å"For whom in the nineteenth century would pleasure and power be problematic should they be expressed?†. A female speaker is the†¦show more content†¦The poem describes the hunter/husband and gun/wife lives together as they roam the woods and hunt doe. The gun/wife propels her husband to loftier heights with her power (Palmerino). In contrast to her life prior life in the corners where she sat unnoticed, when the gun/wife now speaks â€Å"The Mountains straight reply -†. In other words, when the gun is fired there is a echo. Now she can be heard and her power can be felt. She has an effect on her surroundings. This can allude to how as a married women, the wife now has a higher social status and is more likely to be taken seriously and listened to. In the fifth section, the gun comes to the peak of her power and sounds like she has autonomous agency, or as Vendler describes it, the gun takes a â€Å"grammatically independent action† (319). The speaker says that â€Å"I lay a Yellow Eye† as if she is doing something on her own. However, guns cannot kill people; they cannot pull their own trigger. In this gun/master metaphor, the wife/gun is an object entirely reliant on other people to give direction and purpose in her existence. Therefore, the action is only seemingly independent and is perhaps a sign a wishful thinking on the gun/wifes part to not view herself as dependent. When the wife/gun does seem to realize how dependent she is, she becomes almost frantic. She says the hunter/husband must live long than her because â€Å"I have the power to kill, / WithoutShow MoreRelatedEmotion in Emily Dickinsons â€Å"My Life had stood – a Loaded Gun†1109 Words   |  5 P agesThis poem was written by American poet, Emily Dickinson, who was born in the 1800. This was the period where art was based on emotion; the â€Å"Romantic Period†. She was also born in the Victorian Era, where women had to be shackled to their pedestals and most had to be married by age eighteen. They were not allowed to vote, or earn money. This information should help the reader better understand the poem. When writing the poem â€Å"My Life had stood—a Loaded Gun† Dickinson thought of what format to useRead More`` It Was Not Death, For I Stood Up, By Emily Dickinson1728 Words   |  7 Pagesa specific focus on Emily Dickinson’s link of mental illness to reclusiveness within her works titled â€Å"It was not Death, for I stood up,† â€Å"After great pain, a Formal feeling comes,† â€Å"I dwell in Possibility,† â€Å"My Life had stood—a Loaded Gun,† and â€Å"Tell all the Truth but tell it slant†.† Emily Dickinson is one of the most influential female poets of the 19th century. Born in Amherst, Massachusetts in 1830, Dickinson began her life as a normal child. Growing up, Dickinson had more opportunities thanRead MoreMy Life Had Stood a Loaded Gun by Emily Dickinson Essay804 Words   |  4 PagesMy Life Had Stood a Loaded Gun by Emily Dickinson Today, few would deny that Emily Dickinson is an important figure in American literature. The numerous ways to interpret her poetry draws more and more readers into her publications. Its as if everyone could interpret Dickinsons poems into his or her personal life; seeing the poems the way they want to see it. This is the effect flexible poems have on people. In Dickinsons My Life Had Stood#8212;A Loaded Gun, I interpreted theRead MoreEmily Dickinsons Capitalization and Punctuation1251 Words   |  6 PagesThe poetry of Emily Dickinson is one of the most recognizable of the 19th century. Dickinson’s poetry stands out because of its unconventional use of capitalization and punctuation. Her poems contain capitalized words which are not normally capitalized. Her poems are noted for the frequent use of the dash. Literary scholars have attempted to interpret Dickinson’s unconventional capitalization and punctuation. Some believe that it was merely part of Dickinson’s penmanship (Weisbuch 73). They thereforeRead MoreFight For Agency By Emily Dickinson985 Words   |  4 PagesFight for Agency Emily Dickinson’s poems predominantly portray the confinements placed on married women and illustrate the doubts that come along their role as a â€Å"wife†. In many of her poems, the speakers present a strong opinion about the lack of independence and autonomy women receive when they get married. Given the fact that Dickinson was born in the 1830’s, women in that era were consecutively facing massive oppression and were treated lesser than men. Consequentially, the societal norms greatlyRead MoreFemale Oppression By Emily Dickinson And Charlotte Perkins Gilman1729 Words   |  7 Pagesof male oppression. Especially towards the end of the 19th century, before the first wave of feminism, women were faced with an unshakeable social prison. Husband, home and children were the only life they knew, many encouraged not to work. That being said, many female writers at the time, including Emily Dickinson and Charlotte Perkins Gilman, were determined to examine the mind behind the American woman, through the lens of mental illness and personal experience. This essay will compare the workRead MoreBibliography Relation to Analysis of Emily Dickinson ´s Writings2048 Words   |  8 Pages Anderson, Paul W. The Metaphysical Mirth of Emily Dickinson. Georgia Review 20.1 Spring 1966): 72-83. Rpt. in Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 171. Detroit: Gale, 2006. Literature Resource Center. Web. 14 Feb. 2014. Anderson accomplishes the discernment of Dickinson’s poems and their allusions to many classic myths. He denotes the figurative language that Dickinson utilizes in her poetry to relate to her themes. With these key elements inRead MoreEssay on A poem and a loaded gun1111 Words   |  5 Pages A Poem and a Loaded Gun The post civil war era was wrought with sexism and backwards thinking. Emily Dickinson was born in 1830, wrote 1800 poems in her lifetime. She has become known for unfolding the social boundaries surrounding women in this time period. Most of her life was shrouded in seclusion and mystery. In the realm of poetry, authors are creative with their usage of literary techniques in order to illustrate their point of view to the reader. Emily Dickinson is especially known for herRead More The Life Of Emily Dickinson Essay799 Words   |  4 Pages The Life of Emily Dickinson nbsp;nbsp;nbsp;nbsp;nbsp;Although she lived a seemingly secluded life, Emily Dickinsons many encounters with death influenced many of her poems and letters. Perhaps one of the most ground breaking and inventive poets in American history, Dickinson has become as well known for her bizarre and eccentric life as for her incredible poems and letters. Numbering over 1,700, her poems highlight the many moments in a 19th century New Englander womans life, includingRead MoreAnalysis Of Emily Dickinson s Poem My Life Had Stood- A Loaded Gun 993 Words   |  4 PagesEmily Dickinson is a very famous and accomplished poet with over 1700 published poems. Several of her poems are similar in theme, and also similar in bringing out human emotions that we humans usually try to avoid. The common theme in most of Dickinson s poems is the wonders of nature, and the identity of self, as well as death and life. The five poems with the common theme of death are: â€Å"My Life had Stood- A Loaded Gun†, â€Å"I Heard A Fly Buzz- When I Died†, â€Å"Behind Me Dips- Eternity†, â€Å"Because I

A Brothers Love free essay sample

When you compare Louis Erdrichs story The Red Convertible and James Baldwins story Sonnys Blues, they seem like completely different stories. The Red Convertible is about two brothers, Lyman and Henry, who grow up on a Native American reservation in North Dakota. The two brothers share a strong bond that is personified through their love for a certain red car that they share. They go through an amazing Journey and discover a lot about each other. On the other hand, Sonnys Blues is also about two brothers, however their Journey goes a completely different oute than Lyman and Henrys. In Sonnys Blues, the narrator and his little brother, Sonny, start out as distant and forgotten family members. Through Sonnys love for music, and his older brothers gradual acceptance, the two grow a stronger bond than ever before. Although the two are indeed about different topics, there are some parallels to recognize as well. The Red Convertible and Sonnys Blues are alike for many reasons, but the most prominent similarity is the theme of brotherhood. For instance, in Sonnys Blues, the dynamic between the two brothers changes from eing completely distant to finally understanding each other, despite their differences. The growth of a relationship is an important factor in true brotherhood. An example of the two brothers taking a step in the right direction is when they meet after Sonny is let out of prison. It has been a while since they have spoken last, and the older brother narrates, miet, when he smiled, when we shook hands, the baby brother Id never known looked out from the depths of his private life, like an animal waiting to be coaxed into the light. (Baldwin, 312) The other brother is realizing that e has never really known his baby brother because his true self was always buried beneath the mask of his drug addiction. We can see here that the other brother is seeing that Sonny is trying to let himself into the light, or trying to finally get himself to a better place in life. The turning point in the story where Sonnys love for music gets truly understood by his brother, is at the end of the story when he is playing his gig. The older brother states, For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isnt any other tale to tell, its the only light weve got in all this darkness. (Baldwin, 324) This statement by Sonnys older brother shows that he has finally opened up his heart to accept that his little brother is getting better and expressing himself through music. Like in Sonnys Blues, Henry and Lyman go through a similar Journey in The Red Convertible, where they discover their own Journey through brotherhood. Unlike Sonnys progression of his relationship with his brother, Henry and Lymans relationship starts out ver y strong but dies out in the end. Although the two stories have different outcomes, the core theme of brotherhood is the same. In The Red Convertible, Henry and Lyman are best friends, and spend every moment hanging out with each other. They are inseparable, until Henrys decision to Join the army for three years tears them apart. When Henry returns, Lyman is concerned as he remembers the times wed sat still for the whole afternoon, Henry always had a Joke, then, too, and now you couldnt get him to laugh (Erdrich, 74). Lyman is realizing that his brother nas changed and is disassociated wit n his tormer selt. Lyman is pain stricken because the strength of their brotherhood was slipping through his fingers. Overall, both stories express the motivation and strength that a brotherhood can give. Despite their similarities in overall theme, the two stories are different regarding the symbols that connect the brothers. In Sonnys Blues, the factor that allowed Sonny and his brother to break the barrier between them was his music. Living in Harlem, there isnt many ways to express yourself or let yourself be heard, so music was an escape. Through Sonnys infatuation with music, his brother was able o see beyond his drug addiction and begin to start the re-birth of their relationship. At the end of the story, Sonnys brother was watching him play, But Just before they started playing again, Sonny sipped from it and looked toward me, and nodded (Baldwin, 326). At this point, it is as if Sonnys brother accepted him through the music and finally feels that connection that only brothers can share. Music is a central symbol in Sonnys Blues and creates a stepping stone for the two brothers relationship to grow. On the other hand, we have The Red Convertible, which has a uch different object that directs the story. In The Red Convertible, Henry and Lymans relationship is driven by their love for their red car they had bought together. The red flashy car resembles the boys resilient and carefree view on life, and the strength of the bond they shared in the beginning of the story. However, after Henry returns from Vietnam, he is a changed man and according to Lyman, The change was no good. (Erdrich, 72) Lyman hopes that the car might bring the old Henry back somehow (Erdrich, 75), but is let down when Henry shows no interest in he car. Ironically, Henry ends up destroying the car which, symbolically, destroys the relationship between the two brothers as well. Like the music in Sonnys Blues, the red car in The Red Convertible was a symbol for the change in the brothers relationship. The relationship between two brothers can be transitive, whether it starts distant and grow close like in Sonnys Blues, or the other way around as we saw in The Red Convertible. While each story may have different symbols and storylines, we still see the theme of both the true nature of brotherhood.

Hospitality History Politics And Culture †Myassignmenthelp.Com

Question: Discuss About The Hospitality History Politics And Culture? Answer: Introducation It is a complex task to define hospitality, since various authors have suggested that it is a social as well as commercial activity. As per the view of Brotherton (2013), hospitality could be adjudged as contemporaneous trading amongst individuals, which is entered voluntarily along with developing to improve the mutual welfare of the parties associated with the provision of food, drink and accommodation. On the other hand, Coulson et al. (2014) are of the view that hospitality is an overlap of three spatial domains, which include social, private and commercial domains. The following essay would shed light on arguments suggesting that both common themes and values are inherent in hospitality in the home and commercial hospitality. It is simply not an annex; instead, it is viewed as its self-domain. Discussion of whether commercial hospitality is just an extension of hospitality in the home: From the commercial perspective, hospitality could be explained as a formal and fair system associated with monetary swap, in which it is given in specific forms of institutions like inns and restaurants. However, these are considered as impersonal from the fundamental point of view. Thus, commercial hospitality varies from hospitality in the home, as it is an impersonal financial exchange, instead of providing personal food, accommodation and drink to the hosts. In the words of Duncan, Scott and Baum (2013), commercial activity has originated in 2000 AD through the Mesopotamian research, in which the then prevailing laws used to control the inns and the hotels. Commercial activity depicting the current hospitality scenario like big hotels, beverage and food outlets have been invented in areas like Pompeii. Accounting to the literature, by 400 BC the commercial hospitality was crucial and mandatory to bring the tourists and traders in the areas as a major source of revenue (Van Dijck 2013). In investigating commercial hospitality, it is inherent that the industry has been distinct and separate from domestic hospitality. The availability of commercial hospitality is for those individuals having no association with private hospitality or inadequately privileged in receiving the state hospitality. Consequently, Gibson (2016) stated that the ignobility of commercial hospitality is greater compared to the other kinds of hospitality. However, after the review of the history and evolution of commercial hospitality, greater amounts of judgemental literature have been found, which are not uncommon. The most significant point to mention from the above-stated literature is that commercial hospitality has not emerged in an unexpected fashion. The existence of this sector has been for nearly 4,000 years and the practice has been made across the industry, which could be segregated from domestic hospitality. With the change in nature and motives of hospitality, there has been a requirement for a breadth in definition. Social hospitality could be viewed as social setting, where the acts of hospitality and hospitableness occur collectively with the social force effects on the manufacture of drink, food and accommodation. Social hospitality develops social ties between hosts and guests in relation to social ceremonies like christenings and weddings; thus, creating a feeling of togetherness. As commented by Lashley and Morrison (2013), private domain includes the nurturing motives of those serving cook, beverages, entertainment, beds along with forming an effective environment. In this sphere, the friendly act is offered through providing food, accommodation and beverage. Friendly act offers a symbolic bond between those engaged to share hospitality for returning the favour along with hosting another occasion. Hence, within this domain of hospitality, the host plays a crucial role, which is obtained in turn without worrying for financial repayment. The values like kinship, hospitableness and social caring duty have evolved from hospitality in the home and these are found within the aspects of commercial and social hospitality. However, domestic hospitality helps in shaping the expectation of commercial and social hospitality activities, which signifies that there is a link between the three domains of hospitality. Even though there is association between domestic hospitality and commercial hospitality, there is a major difference between the hospitality concept and commercial hospitality industry. This is because of the money involved and the guest-host association. In this context, Lovell (2015) cited that commercial hospitality is needed to have a particular type of association between guests and hosts where the hosts would obtain an insight of the ways to satisfy the guests along with raising their comfort level by possessing the capability in delivering seamless services. Thus, domestic hospitality depends on the reciprocity of friendship, while commercial hospitality depends on monetary exchange. Hence, a diverse kind of guest-host relationship takes place within commercial hospitality, since the customers need to incur money for the facilities available to them. In return, the host has the responsibility of delivering effective services for meeting the expectations and desires of the gue sts. Hospitableness is an emotional and sincere kind of involvement, as it concentrates on the motivation and role of the host. From the historical perspective, commercial hospitality has been viewed as a mundane type of hospitality, in which food and drink has been provided with zero or minimal interaction between customers and staffs. Therefore, it has been recommended that commercial provision might not incorporate real hospitableness. For instance, the Sebel Hotel in Surry Hills, Sydney offers a birthday cake and surprise for the guests on their special occasions. In this case, the staffs could deliver the cake personally with surprise along with singing happy birthday song for the guests and their acquaintances. In addition, they could be provided with an additional room upgrade and a champagne bottle. The inclusion of the cake depicting the domestic domain and the birthday celebration depicting the social domain has enabled for social and sincere involvement with the guests, which results in creation of hospitability. In return, the guests would appreciate this gesture, as they are probably to return along with spreading positive word of mouth Home, on the other hand, is a place of residence, refuge and safety, which might be linked to a geographical area or no physical location (Lynch 2017). Home is viewed as a setting and it could be viewed as a hospitality setting. There is increasing flexibility between the home spaces because of technological innovation and the increasingly common merger of leisure and work. A commercial home in the context of tourism and leisure takes into account a group of owner-occupied small-sized businesses like guesthouses providing food, drink and accommodation, comfort and safety along with bed and breakfasts (Molz 2014). The commercial homes intend to target different groups of consumers desiring for a high specialised experience and want to be welcome as guests, instead of customers. Under this situation, commercial homes could be argued as an extension of hospitality in the home, even though the basis of this host-guest association is developed on monetary exchange and not on friendly terms. Hence, a commercial home is just a combination of private and commercial domains minutely. On the other hand, host denotes equalisation of a stranger to another host, allowing the same to stay protected along with providing guidance to the next destination (Osman, Johns and Lugosi 2014). The establishments of commercial hospitality like hotels intend to develop a home away from home for the guests along with accomplishing this by developing a positive hots-guest association by enabling them to feel protected and safe. In the current era, the hotels have emerged as functional places offering expected facilities like those one would find their houses. Furthermore, the individuals are converting their own houses into replica hotel suites; thus, bringing the fantasising aspect into their house lives. In the words of Ryan (2015), popular hotels like Hilton have included extended up-stay residential suites to their range. For instance, it has formed Hilton Home 2 Suites for the long stay guests especially a house away from house. These suites are targeted mainly for the business travellers that prefer to stay above 10 nights in a hotel (Teng and Chang 2013). The visitors or guests are offered a suite having an attached kitchen, magazines and books tailored to them and complimentary breakfast at a reasonable price. It has been inherent that the individuals strive for domestic hospitality and in response; the commercial hospitality firms like Hilton have started to blend aspects of the private domain into the commercial activities. In order to conclude, the insight of hospitality activities could be segregated into three different domains that include social, commercial and private or domestic domains. All these domains are different individually, as they hold identical values of hospitality like kinship, hospitableness and duty of care. The past commercial hospitality was seen as impersonal financial exchange. However, the concept of commercial hospitality has changed with the4 passage of time and the ways through which the integration of the three major domains has enhanced the activity of commercial hospitality. The fundamental distinction between hospitality in the home and commercial hospitality is due to the host-guest association. Within this domestic domain, an association depends on friendship, while a commercial association depends on monetary exchange. Hence, this depicts that commercial hospitality is distinguishable and it could be found in its own domain. It is not an extension of hospitality in t he home.; References: Brotherton, B., 2013. Hospitality and hospitality.Search of Hospitality. Coulson, A.B., MacLaren, A.C., McKenzie, S. and O'Gorman, K.D., 2014. Hospitality codes and social exchange theory: The Pashtunwali and tourism in Afghanistan.Tourism Management,45, pp.134-141. Duncan, T., Scott, D.G. and Baum, T., 2013. The mobilities of hospitality work: An exploration of issues and debates.Annals of Tourism Research,41, pp.1-19. Gibson, S., 2016.Mobilizing hospitality: The ethics of social relations in a mobile world. Routledge. Lashley, C. and Morrison, A., 2013.In search of hospitality. Routledge. Lovell, J., 2015. THE USES OF FOREIGNERS IN MAO-ERA CHINA:TECHNIQUES OF HOSPITALITYAND INTERNATIONAL IMAGE-BUILDING IN THE PEOPLES REPUBLIC, 19491976.Transactions of the Royal Historical Society,25, pp.135-158. Lynch, P., 2017. Mundane welcome: Hospitality as life politics.Annals of Tourism Research,64, pp.174-184. Molz, J.G., 2014. Toward a network hospitality.First Monday,19(3). Osman, H., Johns, N. and Lugosi, P., 2014. Commercial hospitality in destination experiences: McDonald's and tourists' consumption of space.Tourism Management,42, pp.238-247. Ryan, C., 2015. Trends in hospitality management research: a personal reflection.International Journal of Contemporary Hospitality Management,27(3), pp.340-361. Teng, C.C. and Chang, J.H., 2013. Mechanism of customer value in restaurant consumption: Employee hospitality and entertainment cues as boundary conditions.International Journal of Hospitality Management,32, pp.169-178. Van Dijck, J., 2013.The culture of connectivity: A critical history of social media. Oxford University Press.